Cannonman17
Bronze Member
I thought this link http://www.theaaca.com/fakes.htm might be useful to some. The hinge fracture information is very good and it's much easier to post a link that try to explain it myself. Keep in mind that this is not the final word on the subject though, there are more things to look for when telling artifacts from artifakes. Look at what type of material the point is made from and where it was supposedly found. Is there a history to the point, a record of when, who, and where. What does the patina look like? Is the clovis you're looking at have sharp scar ridges but was supposedly found in a river bottom? Much of it is just from experience and a little common sense. When you go to an antique store and find a display of "authentic artifacts" and all of them are G-10 in quality, all are super colorful, and virtually every major "key" type is represented.... well, there's a sucker born every minute. Now if in that same display are one or two other types made from another material (also perfect examples) what do you suppose the chances are that these are real? Guilty by association is right. And this mythical situation is based on a bad dealer/fake.... the people who are really flooding the market with fake cr@p are MUCH better.. they have refined their techniques... they have refined their fake patina abilities, refined the flaking techniques, etc...
Don't get me wrong here, buying artifacts is still a fine way to add to a collection it's just that one needs to be so much more careful than you had to even twenty years ago. I will buy an odd piece here and there... often times from somebody I know though, from an area I'm familiar with, from a material that fits the area, and of a type I commonly find (or at least know come from this area). Buying without those things in place is risky to say the least.
I know more of you have more tips to add to this so come on Atlantis, Matt, the rest of you- lets share what we've learned.
Don't get me wrong here, buying artifacts is still a fine way to add to a collection it's just that one needs to be so much more careful than you had to even twenty years ago. I will buy an odd piece here and there... often times from somebody I know though, from an area I'm familiar with, from a material that fits the area, and of a type I commonly find (or at least know come from this area). Buying without those things in place is risky to say the least.
I know more of you have more tips to add to this so come on Atlantis, Matt, the rest of you- lets share what we've learned.
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