I am really excited because I found something new and as I always say, “God reveals things as He desires.” Could someone who knows IsabellaSea, please pass this on to her, as it might help explain where her artifact originated from.
The image in the left pendant is not a man-o-war or sword, but is a symbol the ancient Indians of Peru and Bolivia used to depict a “mermaid” of their own culture. An example of this representation, carved into stone, now resides in the Museo Arqueológico de Puno, Peru, but the piece was originally discovered in Bolivia.
Mermaids, or “Umantuus,” were actually part of the Indians’ mythology stemming from a story in the region of Lake Titicaca. For versions of this fable, please google “Copacabana,” “Umantuu,” “Tunupa,” and “Titicaca.”
When the Spanish came to South America, they realized their Christian tradition of viewing mermaids as “sin” (see previous posts for explanation on this symbolic reflection of human morals) coincided with the beliefs the Indians formed from an ancient myth. Mermaid decorations became widely used on Christian churches throughout Peru and Bolivia, especially in Potosi and near Lake Titicaca.
So the left pendant shows the Indian outline or sketch of a mermaid, and the right one belonged to the Spanish people of the Colonial times who titled a mermaid, “sirena.”
Although I believe the artifact shows typical 17th century style and workmanship, I do see a possibility of it coming from the 1715 Fleet now that I know it was potentially created in the Viceroyalty of Peru.
Unfortunately, I am not able to help with archival information if it came from a 1600s wreck. I can, however, look back at my 1715 research and archives for the passengers I traced who were from Peru and its outer regions. A few presently come to mind who were of a higher social status and could afford gold, but of course the ornament could have also been in a shipment where the sender remained behind in the New World.
See Temples of Gold, Crowns of Silver: Reflections of Majesty in the Viceregal Americas, 1991, for a picture of the stone relief.
God Bless,
Laura