Reading all this... I understand the desire to give an artifact a 'name', and I also understand that from region to region, names change. And that there are slight variations to 'standard' types- which change the name from one to another. I get that. But isn't it possible- just possible that the piece doesn't really have a name? Isn't it possible that it's a piece w/ origins in the bifurcated realm, but it didn't behave as the knapper wanted, so it ended up being a knife w/ hard to distinguish origins because of it's difficult manufacture? Isn't it possible that a decent-looking chunk of rock proves to be a gnarly mess, and having gone as far as the knapper already had, he/she decided to use the remains as best as they could? I mean, I get that people want to know- for sure (or as sure as they can be) the age or technical relevance of the style of knapping- to best gage the age, but how far does one go? How far do you bend over backward to give a piece a name? Or is the real intent to understand the precedent for the see-able-- the flaking technique, the material, the base. It seems to me, sometimes the best you can really do, in all honesty, is say that it's paleo, archaic, woodland, etc.(and the sub-categories within those eras). Given that it's not a 'fine' specimen, with tell-tale base or flaking, isn't it okay to just say it's a tool from the '____' era? It seems that so often we (all) get caught up in naming something- as though the name alone will give it credence. Justify it's existence in a collection. Is it not equally important to take a piece, keep it in a location box, and see what else might be found in the same place- for comparison- to build a decent argument for such-and-such an age/era/technology? I do understand the problem w/ erosion finds. That's all I find. So artifacts are out of context from well before I find them. But, that said, I do find similar items over time, and can draw conclusions from the group- rather than the singular item. Maybe I'm way out in left field here. And again, I'm not trying to be abrasive or a wet blanket, but I get a bit frustrated with the name-game. And although Overstreet is an excellent starter book- and as comprehensive as an all-purpose guide can be, it does not address specific locations, regions with the detail necessary to draw realistic 'absolutes' about anything beyond the more broadly understood typologies. It was the first book I bought with regards to this 'hobby/obsession', and I use it very rarely- and only when trying to get a broad understanding of artifacts found in locations other than the one I live and hunt in. For my location, there are books written specifically concerning my area/region. Those are gold. When I first started, I kept thinking my finds had similarities to pieces found hundreds of miles away, and thus had the same name. Big oops. Using only Overstreet was problematic. Adding to my research library helped enormously, as I found pieces more similar to mine- and with different names. But names are only part of the equation. If a person from a different area sees a piece named ___, and they have a piece like it, they might assume it has the same name. Especially if they don't have years and years of research study in various regions. These region-specific books are not necessarily on line. More are small publications- often for use in universities and colleges. In my business, we speak of 'food ways'-- the routes various foods traveled to various parts of the globe over time. Maybe the study of how technology flowed from one region to another over what period of time would be more helpful than trying to give a specific, imperfect tool a name. All that said, I too would have picked it up and been happy with it. Congrats on your find- especially considering the short hunt! Yakker