Mesoamerican artifact 2 - a Veracruz? urn

[MetFreeman]

Hi,
This is another item I would like to ask your help with. An intro is here. I am very confident the urn is genuine and stylistically I think it is from Veracruz.
What I was not able to do at all is dating - the full range of almost 1k years is open for me.
The height is some 6 inches, some decorations are broken off and there is an old collection stamp.
(I moved this thread from a wrong forum)

 

[Crow]

Hi,
This is another item I would like to ask your help with. An intro is here. I am very confident the urn is genuine and stylistically I think it is from Veracruz.
What I was not able to do at all is dating - the full range of almost 1k years is open for me.
The height is some 6 inches, some decorations are broken off and there is an old collection stamp.
(I moved this thread from a wrong forum)

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Vercruz culture time period: Flourished during the Classic and Late Classic periods (approx. 300–900 CE) along the central Gulf Coast of Mexico.Classic Veracruz culture funerary traditions feature hollow terracotta vessels, large effigy urns, and rich ossuaries rather than the standard stamped urns seen in neighboring Oaxaca.

But I am not sure it is Veracruz because parts of the design feature are stamped in clay. It certainly looks old, and I hazard a guess it is a real Funerary urn - Zapotec culture, Mexico - 600-900 AD, but there are some really good fakes out there that are hard to distinguish between real and fake. To complicate things, both cultures overlapped with each other around the same time period.

Crow

 

[MetFreeman]

Thank you. This one is indeed very similar structurally. But the face is (to my very newb taste) Zapotec. The face in mine, specifically the the long pointy nose, open lips, triangular shape, I have seen in Veracruze ones. Here is one example I found. What do you think?

 

[unclemac]

well, this is my 2 cents... one thing to look for, does it copy features of genuine objects.... if it does, that suggests fake, items should be stylistically similar not copies. Another consideration is artistry... is the piece obviously cruder in execution, does it show lack of skill. The other thing I would add is.. the "HOW" it is made, I do ceramics so I have insider knowledge of how things should be constructed, what come first, next etc... what sorts of tools were used, how were the lines inscribed, on and on. Your piece should seem to "made" the same, not just look the same. The last thing I would say is take any "damage" very seriously, does it seem intentional, what caused it, is it recent, how do the patinas match up?

in the past I have had pieces authenticated by sending images to experts in museums that have deep knowledge in a specific area, museums in Peru, Mexico, etc.