I said Wilkins is most accurate in regards to the sequence Palmer acquired the maps; what maps were in the furniture pieces and details of discovery by Palmer (e.g., the map in the oak bureau he found while in Arthur Hill-Cutler's shop, while Cutler was present):You are missing the point, you said Wilkins was the most accurate source re the maps. He said the map in his book came from the 'Hardy' chest. So hardly accurate. Why can't you 'manup' and admit he got it wrong? Why are you trying to avoid owning up to this error on your part? Trying to create a smokescreen with all your waffle above?
Wilkins who got closest to the truth in regard to the sequence and what specific maps came in the two chests, bureau and workbox,
Wilkins got correct: (a) the sequence Palmer acquired the four maps, (b) what specific maps came in the chests/bureau/workbox, and (c), how he discovered the maps. For example, Palmer found a map (parchment) in the bureau in Arthur Hill-Cutler's shop (in the presence of Cutler, likely guided by him), not at his home with his brother as Howlett (1958) incorrectly stated.
The Del Mar map (two variations) in Wilkins book he drew from his imagination. It even has his name on it as a copyright. It did not come from the Hardy Chest. Wilkins published his book in (May?) 1935 and in July 1935 he clarified as follows:Wilkins (1935) is the most accurate source in regards to when Palmer acquired the maps and what maps came in the furniture pieces.
The Listener, 3 July 1935As to the charts reproduced in my book... I am sure, a reasonable man will recognise that I am not the owner of these charts, and that the owner [Hubert Palmer], who has spent much money on them, will not permit me to reproduce exact details...
In other words, within a few months of publishing his book he clarified the Del Mar map he drew was not a reproduction of one of the maps in Palmer's possession (such as from the Hardy Chest). He did not have permission from Palmer to copy or reproduce any of the four maps so the De Mar map was a creation of his imagination. He again admitted this in an article he published in FATE (magazine):
The author drew up the treasure map out of his imagination - then suddenly strange things began to happen.
I sat down in my den and out of my imagination I drew a chart a 17th century buccaneer might have produced.
- "Mystery of the Pirates Chart", FATE vol 3, no. 8 (December 1950), p. 29I added a legend for the location of the cache which was totally different from the original.
Wilkins' publisher wanted a drawn map but he was forbidden to copy any of the maps in Palmer's possession - so what was he to do? He had no choice but to draw a map from his imagination because his publisher was insistent on an illustration but Palmer prevented him from copying the so-called Kidd-Palmer maps. Within a few months of publication he admitted the Del Mar map was not a reproduction but something he made up because Palmer would not allow him to copy exact details.
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